X
MOV File
Online Collections

Nimaidō tōsei gusoku armor with Tokugawa crest


Myōchin Munemasa, Nimaidō tōsei gusoku armor with Tokugawa crest, completed by 1749, iron, copper alloys, leather, lacquer, silk, wool, bast fiber, hemp, silver, gold, shakudō, and horn, Museum Purchase: Asian Art Fund, public domain, 2012.120.1a-w

This work is not currently on view.

Save to My Collection
Facebook Twitter
Details
Title

Nimaidō tōsei gusoku armor with Tokugawa crest

Related Titles

display title: Nimaidō tōsei gusoku armor with Tokugawa crest

original language: 当世具足(二枚胴具足)

Artist

Myōchin Munemasa (Japanese, active mid-18th century)

Date

completed by 1749

Medium

iron, copper alloys, leather, lacquer, silk, wool, bast fiber, hemp, silver, gold, shakudō, and horn

Dimensions (H x W x D)

various (see parts)

Collection Area

Asian Art

Category

Armor

Object Type

armor

Culture

Japanese

Credit Line

Museum Purchase: Asian Art Fund

Accession Number

2012.120.1a-w

Copyright

public domain

Terms

armor

cotton

gold

iron

lacquer

leather

samurai

silk

silver

wood

Description

Dating to the 1740s, this remarkably intact suit of armor was made for a high-ranking samurai of the Tokugawa family, the warrior clan that ruled Japan from 1603 to 1868. When this suit of armor was fabricated, Japan had been at peace for a more than a century, and contemporary writers were lamenting a decline in the martial skills of the samurai. Nonetheless, this suit is as functional as it is handsome, reflecting its owner's pride in the samurai heritage that granted him elite status in eighteenth-century Japanese society.

A custom-made suit of armor such as this required the skills of many craftsmen: metalsmiths, leather tanners, lacquerers, and those who spun, dyed, and wove the silk. Most of these artists were unrecorded, but master metalsmiths were an important exception.

This suit of armor brings together the work of several generations of the Myōchin School, a hereditary lineage of smiths who dominated the high-end armor market in eastern Japan. Myōchin Munemasa, who made most of the suit in 1749, incorporated an older helmet, mask, sleeves, and shin guards, all of which he credited to earlier Myōchin masters.

Munemasa himself fabricated the cuirass, which is devised of curved tiers of iron, lacquered and riveted together to form the front and back, and hinged at the left side. He also designed the helmet visor, neck guard, shoulder guards, skirt, and thigh guards.

History
Related Artworks
Media
IMLS logoNEA logoNEH logo

The Portland Art Museum’s Online Collections site is brought to you thanks to support provided by the State of Oregon through its second Culture, History, Arts, Movies, and Preservation funding program and generous awards from the Institute of Museum and Library Services, the National Endowment for the Humanities, and the National Endowment for the Arts.