X
MOV File
Online Collections

Asano Takuminokami kerai Ōishi Kuranosuke Yoshio (Ōishi Yoshio, Chamberlain, Retainer to Asano, Head of the Imperial Construction Bureau), from the series Gishi shijūshichi zu (Pictures of the Loyal Forty-seven Retainers)


Ogata Gekkō, Asano Takuminokami kerai Ōishi Kuranosuke Yoshio (Ōishi Yoshio, Chamberlain, Retainer to Asano, Head of the Imperial Construction Bureau), from the series Gishi shijūshichi zu (Pictures of the Loyal Forty-seven Retainers), 1897, color woodblock print with embossing on paper; ōban nishiki-e, Museum Purchase: Margery Hoffman Smith Fund, with additional funds provided by Mrs. James Stevens and a gift from Chris Uhlenbeck, public domain, 90.1.5

This work is not currently on view.

Save to My Collection
Facebook Twitter
Details
Title

Asano Takuminokami kerai Ōishi Kuranosuke Yoshio (Ōishi Yoshio, Chamberlain, Retainer to Asano, Head of the Imperial Construction Bureau), from the series Gishi shijūshichi zu (Pictures of the Loyal Forty-seven Retainers)

Related Titles

original language: 浅野内匠頭家来大石内蔵助良雄

series (original language): 義士四十七図

series (translated): Pictures of the Loyal Forty-seven Retainers

series (transliterated): Gishi shijūshichi zu

translated: Ōishi Yoshio, Chamberlain, Retainer to Asano, Head of the Imperial Construction Bureau

transliterated: Asano Takuminokami kerai Ōishi Kuranosuke Yoshio

Artist

Ogata Gekkō (Japanese, 1859-1920)

Related People

publisher: Takekawa Risaburō (Japanese, active ca. 1886-1897)

Date

1897

Period

Japan: Meiji period (1868-1912)

Medium

color woodblock print with embossing on paper; ōban nishiki-e

Catalogue Raisonné

Graybill 2011, cat. 129

Dimensions (H x W x D)

image: 12 3/4 in x 8 1/4 in; sheet: 14 5/16 in x 9 7/8 in

Inscriptions & Markings

publisher's mark: 印刷兼発行者 / 芝区柴井町二十一番地 武川利三郎, printed in black ink, left margin, bottom Transliteration (Translation): insatsu-ken-hakkōsha / Shiba-ku Shibai-chō nijūichi-banchi Takekawa Risaburō (printer-publisher Takekawa Risaburō [at] Shiba-ku Shibai-chō 21-banchi) Language: Japanese Description: Tokyo publisher active ca. 1886-1896

series title: 義士四十七圖, printed in black intaglio within rectangular cartouche, upper right Transliteration (Translation): Gishi shijūshichi zu (pictures of the loyal forty-seven retainers) Language: Japanese

date; censor's mark: 明治三十年九月一日印刷仝年仝月一日発行, printed in black ink, left margin, center Transliteration (Translation): Meiji sanjūnen kugatsu tsuitachi insatsu dōjō nen dōjō gatsu tsuitachi hakkō (printed Meiji 30 [1897], 9th month, 1st day; published the same year, month, and day) Language: Japanese

title; inscription: 執事千五百石 // 浅野内匠頭家来大石内蔵助良雄 // 忠誠院夊定浄剣居士元禄十六癸未二月四日行年四十五, printed in black within rectangular cartouche on white reserve ground, upper right Transliteration (Translation): Shitsuji roku sengohyaku koku // Asano Takuminokami kerai Ōishi Kuranosuke Yoshio // Chūsei-in Tōkūjōken koji Genroku jūroku mizunoto hitsuji nigatsu yokka yukutoshi yonjūgo (Steward. Annual stipen, 1500 koku of rice // Ōishi Yoshio, Chamberlain, Retainer to Asano, Head of the Imperial Construction Bureau // Lay monk Chūsei'in Tōkūjōken. Genroku 16 [1703], water-rabbit year, 2nd month, 4th day, age 45) Language: Japanese

artist's seal: 月耕, printed in red relief within oval cartouche, lower right Transliteration: Gekkō Language: Japanese

signature: 月耕, printed in black ink, lower right Transliteration: Gekkō Language: Japanese

Collection Area

Asian Art; Graphic Arts

Category

Prints

Japanese Traditional Prints

Object Type

relief print

Culture

Japanese

Credit Line

Museum Purchase: Margery Hoffman Smith Fund, with additional funds provided by Mrs. James Stevens and a gift from Chris Uhlenbeck

Accession Number

90.1.5

Copyright

public domain

Terms

Japanese woodblock prints

Meiji

nishiki-e

oban

relief printing

relief prints

woodcuts

Description
Related Artworks
Media
IMLS logoNEA logoNEH logo

The Portland Art Museum’s Online Collections site is brought to you thanks to support provided by the State of Oregon through its second Culture, History, Arts, Movies, and Preservation funding program and generous awards from the Institute of Museum and Library Services, the National Endowment for the Humanities, and the National Endowment for the Arts.