Rinji barakku (Temporary Barracks), from the series Taishō shinkasai mokuhangashū (Collection of Woodblock Prints of the Taishō Earthquake)
Kiriya Senrin, Rinji barakku (Temporary Barracks), from the series Taishō shinkasai mokuhangashū (Collection of Woodblock Prints of the Taishō Earthquake), 1924, color woodblock print on paper, Gift of Dr. and Mrs. Joseph F. Paquet, no known copyright restrictions, 88.6.33
This work is not currently on view.
- Title
Rinji barakku (Temporary Barracks), from the series Taishō shinkasai mokuhangashū (Collection of Woodblock Prints of the Taishō Earthquake)
- Related Titles
original language: 臨時バラック
series (original language): 大正震火災木版画集
series (translated): Collection of Woodblock Prints of the Taishō Earthquake
series (transliterated): Taishō shinkasai mokuhangashū
translated: Temporary Barracks
transliterated: Rinji barakku
- Artist
- Date
1924
- Period
Japan: Taishō period (1912-1926)
- Medium
color woodblock print on paper
- Dimensions (H x W x D)
image: 11 1/4 in x 8 3/16 in; sheet: 11 3/4 in x 8 3/4 in
- Inscriptions & Markings
date; signature: 大正十二年九月四日 // 洗鱗写生, printed in black ink, lower right Transliteration (Translation): Taishō jūninen kugatsu yokka // Senrin shasei (Taishō 12 [1923] September 4th // sketched [by] Senrin) Language: Japanese
artist's seal: 洗鱗, printed in red relief within square cartouche, lower right Transliteration (Translation): Senrin ([seal of the artist Kiriya Senrin 桐谷洗鱗]) Language: Japanese
- Collection Area
Asian Art; Graphic Arts
- Category
Books, Portfolios, and Manuscripts
Japanese Traditional Prints
- Object Type
relief print
- Culture
Japanese
- Credit Line
Gift of Dr. and Mrs. Joseph F. Paquet
- Accession Number
88.6.33
- Copyright
no known copyright restrictions
- Terms
Taishô shinkasai mokuhangashû (Collection of Woodblock Prints of the Taishô Earthquake), 1924
In 1924, the Japanese publisher Hoshino Seki issued a set of thirty-six prints depicting scenes from the aftermath of the September 1, 1923 great Tokyo earthquake. He commissioned six artists to each produce six designs based on eye witness sketches and accounts, which the master carver Nagashima Kiichi and printer Tamura Tetsunosuke then translated into color woodblock prints for the portfolio.
An important part of the Portland Art Museum collection of Japanese prints (88.6.1-36), the Museum is placing this historic series online at this time to honor the victims of the March 11, 2011 earthquake in northeastern Japan.
To donate to the international relief effort, please click on one of the links below.
RED CROSS: http://american.redcross.org/site/PageServer?pagename=ntld_main
MERCY CORPS: https://www.mercycorps.org/donate/japan
- Exhibitions
2011 The Artist's Touch, The Craftsman's Hand: Three Centuries of Japanese Prints from the Portland Art Museum Portland Art Museum