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Fukusenji to Fuji (Fukusenji Temple and Mount Fuji), from the series Fuji nijūgokei (Twenty-five Views of Mount Fuji)


Jōkata Kaiseki, Fukusenji to Fuji (Fukusenji Temple and Mount Fuji), from the series Fuji nijūgokei (Twenty-five Views of Mount Fuji), 1931, color woodblock print on paper; ōban nishiki-e, Gift of Judith P. Benson, public domain, 1995.60.2

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Details
Title

Fukusenji to Fuji (Fukusenji Temple and Mount Fuji), from the series Fuji nijūgokei (Twenty-five Views of Mount Fuji)

Related Titles

original language: 福泉寺と富士

series (original language): 富士二十五景

series (translated): Twenty-five Views of Mount Fuji

series (transliterated): Fuji nijūgokei

translated: Fukusenji Temple and Mount Fuji

transliterated: Fukusenji to Fuji

Artist

Kaiseki Jōkata (Japanese, 1882-1966)

Date

1931

Period

Japan: Shōwa period (1926-1989)

Medium

color woodblock print on paper; ōban nishiki-e

Dimensions (H x W x D)

image: 10 9/16 in x 13 7/8 in; sheet: 10 3/4 in x 14 1/16 in

Inscriptions & Markings

artist's seal: 塊石 [stylized], printed in red intaglio within square cartouche, lower right Transliteration: Kaiseki Language: Japanese

seal: Kaiseki, lower right

signature: 塊石筆, printed in black ink, lower right Transliteration (Translation): Kaiseki hitsu (brushed [by] Kaiseki) Language: Japanese

Collection Area

Asian Art; Graphic Arts

Category

Prints

Japanese Traditional Prints

Object Type

relief print

Culture

Japanese

Credit Line

Gift of Judith P. Benson

Accession Number

1995.60.2

Copyright

public domain

Terms

Japanese woodblock prints

nishiki-e

oban

relief printing

relief prints

Showa

woodcuts

Description

Jōkata Kaiseki brings a painterly quality to the woodblock print medium in his series on Mount Fuji. This rural landscape resembles a watercolor painting, with grasses, leaves, and flowers made up of layers of wet-looking color unbound by the black outline typical of woodblock prints. Portable watercolor materials arrived in Japan from Europe in the late nineteenth century and made it easier for landscape artists to paint outdoors and express transient atmospheric effects. Kaiseki applies this new naturalism to the transcendent Fuji, bringing it back to earth and integrating it into a landscape filled with light and air.

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