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Woman

Reginald%20Marsh%2C%20%3Cb%3E%3Ci%3E%20Woman%3C%2Fi%3E%3C%2Fb%3E%2C%201953-1954%2C%20oil%20on%20wood%2C%20Bequest%20of%20Felicia%20Meyer%20Marsh%2C%20%26%23169%3B%20artist%20or%20other%20rights%20holder%2C%2079.16.2A%2CB
Reginald Marsh, Woman, 1953-1954, oil on wood, Bequest of Felicia Meyer Marsh, © artist or other rights holder, 79.16.2A,B

Reginald%20Marsh%2C%20%3Cb%3E%3Ci%3E%20Woman%3C%2Fi%3E%3C%2Fb%3E%2C%201953-1954%2C%20oil%20on%20wood%2C%20Bequest%20of%20Felicia%20Meyer%20Marsh%2C%20%26%23169%3B%20artist%20or%20other%20rights%20holder%2C%2079.16.2A%2CB Reginald%20Marsh%2C%20%3Cb%3E%3Ci%3E%20Woman%3C%2Fi%3E%3C%2Fb%3E%2C%201953-1954%2C%20oil%20on%20wood%2C%20Bequest%20of%20Felicia%20Meyer%20Marsh%2C%20%26%23169%3B%20artist%20or%20other%20rights%20holder%2C%2079.16.2A%2CB

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Details
Title

Woman

Artist

Reginald Marsh (American, born France, 1898-1954)

Date

1953-1954

Medium

oil on wood

Dimensions (H x W x D)

9 1/2 in x 7 3/8 in

Inscriptions & Markings

signature; date: Marsh 53-4, brushed, lower left

Collection Area

Modern and Contemporary Art; American Art

Category

Paintings

Object Type

painting

Culture

American

Credit Line

Bequest of Felicia Meyer Marsh

Accession Number

79.16.2A,B

Copyright

© artist or other rights holder

Terms

oil paint

oil paintings

paintings

Location

Belluschi Building

Hirsch Wing

2nd Floor

Janet and Richard Geary Gallery

Description

Marsh's favorite subject was New York of the 1930s and 1940s. He chose to depict areas such as the Bowery, Coney Island, burlesque theaters, and subways. These subjects aligned him with the urban realist tradition of such painters as John Sloan and George Luks, both of whom had been his teachers. His works have a palpable sense of movement and vitality. The independent, modern woman is an important, recurring motif in Marsh's work. His figures are usually cast as types rather than specific individuals. This two-sided painting is comprised of preliminary studies for larger compositions.

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